Tuesday, September 15, 2009
Review: Man On The Moon: The End Of Day
Kid Cudi-Man On The Moon: The End Of Day
Rating: 4.5 Out Of 5
Best Songs: "Pursuit Of Happiness," "Cudi Zone," "Soundtrack To My Life," "Simple As..."
Throwaways: "My World"
Every once in a while, an artist comes out with a body of work that is so unique and so groundbreaking, that it leaves its mark on the game for years to come. Nas did it. Jay-Z did it. The members of the Wu-Tang Clan did it. Their albums were so different and revolutionary that it set the standard for other hip-hop artists from that point on. Now in no way shape or form am I comparing Kid Cudi with any of these artists. The three aforementioned hip-hop legends were gritty lyricists who could go bar for bar with any artist in the game. Kid Cudi will never be a top notch MC. But what Kid Cudi has done with his debut album, Man On The Moon: The End Of Day, is create a sound that hip-hop has never heard before. Mixing R & B-style singing with his rapping ability over some of the best production I have ever heard on a hip-hop record, Cudi cannot be put into any category. He doesn't have the best voice and he will never be a top ten lyricist. But what Cudi posses is the ability to create infectious hooks without the use of Auto-tune, tell you a story (his entire album is crafted like a play, with each act giving us a different theme of songs) and give you a beat to match the mood of the song, and create anthems that people can relate to. Dat Kid from Cleveland has created one of the most creative CDs to date.
Broken down into five acts, Scott Mescudi introduces us to his dream world with "In My Dreams (Cudder Anthem)." Cudi's voice floats over a soothing mix of violins and synthesizers as the track invokes feelings of a kid daydreaming while his mind wanders off into space. The music fades as Common, who narrates the album, takes over with a poetry-like speech about the problems infecting our world. Cudi then launches in to "Soundtrack 2 My Life," where we find Mr. Solo Dolo confronting the issues he experienced growing up. Although the beat, consisting of haunting strings and outer space-like noises, isn't necessarily dark, Cudi digs deep as he speaks about his mother, his tendency to be alone, and the death of his father. The chorus is just one of the many infectious melodies that Cudi brings us throughout his album, and part of what makes this record so great.
"Simple As..." is one of my favorite songs on the album. As the song begins with a chilling voice counting to three and recounting their abc's, a tympani drum bangs out one of the best beats on the CD. Cudi raps about being the underdog and the pressures to live up to the hype as we move into act two.
Act Two, the "Rise of the Night Terrors" showcases beats that will remind you of the nightmares you had when you were a little kid. "Solo Dolo" finds Cudi singing over a beat that sounds like a creepy jack-in-the-box is winding up as the rhythmic bass line shakes your body. "Why must it feel so wrong when I try and do right?" Cudi sings. "Heart Of A Lion (Kid Cudi Theme Music)" takes an upward turn though, with Cudi telling us in the chorus that his mother told him never to let anyone break him. "My World" is the first song that I was disappointed by on the album, as Cudi sounds extremely monotone on his verses and the beat is a far cry from the gems that we have come to expect through the first half of this album.
Act Three gives us the song that gave Cudi his rise to fame with "Day N Nite," followed by the reworked "Sky Might Fall" which sounds like a track Kanye could have put on 808s and Heartbreaks. Luckily, Kanye allowed Cudi to take ownership of the track, and he does it justice. "Enter Galatic (Love Connection part 1)" is a strange song and feels a bit out of place on the album. Cudi spills his heart to the ladies on this track, but it has a very poppy feel to it.
We move on to Act Four, the best act on the album. Starting off with "Alive (nightmare)," Ratatat brings us the first of their two dynamic beats for Cudi. A screaming guitar rift backs Cudi spitting about coming alive when the sun goes down. "Cudi Zone" might be my favorite track on the album. An anthem in every sense of the word, a thumping beat accompanies the heavy synthesizer as Cudi is at his lyrical best here. Spitting about the work he has put in to get to the top, Cudi tells about the peaceful zone he can disappear to in his mind when the hate gets to loud. The hook is powerful and matches the up tempo beat perfectly.
After "Make Her Say," which needs no explanation, Ratatat and MGMT give us the best beat on the album on "Pursuit of Happiness," an uplifting track about the struggle to find happiness and the joy that comes in finding it. Another anthem that anyone can relate to, Cudi's voice works wonders over the guitar and piano that make up this futuristic beat.
The album closes with Act Five, where we find Cleveland's own Chp Tha Ripper assisting Cudi on the smoker anthem "Hyyer." Cudi closes out his masterpiece with "Up Up & Away," as Mescudi gives us his version of a ballad over a beat that sounds like a Coldplay song. And there is nothing wrong with that.
Kid Cudi's creativity on this album is something to be truly admired, as he has crafted a style that cannot be duplicated in the hip-hop community. He shines lyrically on multiple tracks, and while the lyrics are very simple on the rest, it in no way detracts from the music. Cudi speaks to his audience and you can tell how hard he is trying to connect with his fans. While incorporating all genres into his song making, Cudi has created a near classic that will propel him into the forefront of the freshman class.
Labels:
Kid Cudi,
Man On The Moon: The End Of Day
Sunday, September 13, 2009
Kid Cudi On David Letterman
As we in the hip-hop community ready ourselves for the arrival of Kid Cudi's debut CD, Man On The Moon: The End Of Day, here is a video to get you ready for what you can expect to hear from the record. Last Friday, Cudi graced the always hilarious David Letterman with a performance of "Pursuit Of Happiness." Now I saw Cudi perform in Cleveland, and he was amazing, but this performance is really great. 3 violinists and a full band? You have outdone yourself Cudi. The track sounds amazing, especially for me because I have held back from downloading Cudi's album prematurely. I can't wait to head out to Best Buy and pick up a physical copy of Cudi's CD after class Tuesday. Cleveland stand up! Here is the video.
Labels:
Kid Cudi
Thursday, September 10, 2009
The Blueprint 3 Review
The other day, Wes Blaze called me and told me that Jay-Z on The Blueprint 3 remind him of when Michael Jordan came back with the Washington Wizards. At first, I wasn't sure if the comparison fit. But the more I thought about, the more I realized how eerily similar MJ and Jay-Z's careers have been. Both had an excellent rookie season, with Jay-Z dropping Reasonable Doubt (A classic in every sense of the word) and MJ averaging a ridiculous 28 points a game his rookie year with the Bulls. Both men have been in the game for a long time, with a long list of credentials. Both have a retirement under their belt, and both weren't quite as sharp when they came back from their short hiatus (I am referring to MJ's second retirement). Now when MJ returned from his second retirement with the Wizards, he still averaged 20 points a game. But he was older, slower, and a far cry from the man who won 6 championships. Jay-Z, upon returning from his retirement, put out Kingdom Come, which is many people's opinions, is his worst work to date. He then rebounded with the excellent American Gangster, and now he has brought us The Blueprint 3. Like MJ with the Wizards, there are some great tracks on the new record. But, there also a few flops, and it seems to be a far cry from his first Blueprint and Reasonable Doubt.
The CD starts out strongly with "What We Talkin' About" followed by "Thank You," which is one of the best tracks on the CD because it evokes memories of older Jay-Z. The beat is reminiscent of a Reasonable Doubt cut and Jay's flow is vintage Hova. I happen to be a big fan of Jay's two singles, D.O.A (in which we find Jay using his legendary status to tell shitty rappers to stop making music. It's like Emmit Smith telling Tony Romo to be a better leader. When a legend calls you out, you listen) and "Run This Town." "Empire State of Mind" might be my favorite track on the album, as Jay takes us on a journey through New York City, his birthplace. As someone who has frequented New York and loved every minute of it, you can really hear the passion Hova has about his hometown. Alicia Keys kills the chorus, completing this stellar track.
Sadly, the collaboration with Young Jeezy is a bit boring, finding nothing lyrically new from either one of them even though the beat is a definite head bobber. "On To The Next One" finds Jay stepping up his lyrical game, but the repeated chant of "on to the next one" that makes up the beat gets a tad annoying as the song progresses. Swizz Beatz doesn't seem to have a ton of variety with his sound these days.
The Blueprint 3 rebounds with another of my favorites on the album, the Drake-assisted "Off That." With Jay waxing poetic about what isn't hip anymore (you hear that Pac Man Jones? We don't make it rain anymore, we off that) over a sinister Timbaland beat, it's one of the best on Blueprint 3.
"A Star Is Born" is another gem on Jay's latest effort, as we find Jay-Z reminiscing about his favorite rappers and commenting on the current stars in the game. He then hands the mic over to a true upcoming star in J. Cole, his first signee to Roc Nation. Cole goes in with his 16 bars, Cole starts off his rhyme with this ridiculous rhyme pattern: “The flow cold as the shoulders of gold diggin’ hoes when a broke nigga approaches," and then continues to tear up the rest of his verse
Unfortunately, the rest of The Blueprint 3 begins to slide downhill very quickly. The chorus on "Venus vs. Mars" is just plain boring and uncreative, while the beat on "Reminder" makes me skip the track immediately. "I'm Already Home" showcases a great chorus for the Lonely Stoner, aka Kid Cudi, but Jay sounds bored as he raps, and his lyrics suffer because of it. "Hate" isn't bad, but Kanye, for the second time on the CD, outshines Jay-Z, who comes pretty weak when Ye' brought his A game. "So Ambitious" is horrendous. I can't believe Pharell spent any more than 10 minutes on this beat, and why Jay chose this one over the hundreds of others he was probably sent is beyond me. Hov's boring lyrics match the boring beat, making this my least favorite track on the CD. I feel like I need to say 'pause' when I listen to "Young Forever" but Mr. Hudson comes through with the vocals. Jay though, once again, is uninspiring with lyrics, leaving you with mixed feelings as the CD comes to a close.
In the end, The Blueprint 3 is not a bad CD by any means. But we all know Jay could have done better, a lot better. Lyrically, I don't think Jay came very hard on this CD. Jay has never been the guy to drop witty one-liners on you, but he was creative and gritty. His ability to tell street stories through his music is what gave Hova his rise to fame. I just don't see or hear that same grittiness on The Blueprint 3. For now though, the good songs will be bumping in my car, and it is still definitely worth a buy. Like MJ with the Wizards, it leaves you thinking back to the old days when Jay and Mike were taking over the game single-handily.
Labels:
Drake,
J. Cole,
Jay-Z,
Kid Cudi,
The Blueprint 3
Big Sean - Getcha Some
This animation on this video is pretty sweet and fits the mood of the song very well. Kanye makes his appearance too. You can vote for the video on MTV HERE
Labels:
Big Sean,
Kanye West
Curren$y - 16 Switches (Video)
and in case you missed it, here is a new song he put on on his twitter...
DOWNLOAD: Curren$y - Credit
Labels:
Curren$y
Wednesday, September 9, 2009
Fort Minor reunited?
Nooooot exactly...but this is the closest we have gotten in a while. I have been dying to find out what Mike Shinoda has been working on in the hip-hop community. On this Apathy song, Mike Shinoda doesn't rap but produces the track for Apathy, B-Real, and Celph-Titled. Maybe this will be the beginning of some new work for Mike...
Apathy - Shoot First Feat. B-Real & Celph Titled (Produced by Mike Shinoda)
By the way Apathy's sophomore album, titled Wanna Snuggle? comes out October 6th. I know it will be worth the purchase.
Labels:
Apathy,
B-Real,
Celph-Titled,
Fort Minor,
Mike Shinoda
Saigon - Eyeball
Direct from OnSmash:
"This was recently on Saigon’s latest mixtape The Moral Of The Story under the title “Saigon Meet’s Just Blaze” but since then they added a new hook and put it out to get ya warmed up for Warning Shots 2 coming soon.."
Saigon - Eyeball
I can't tell you how much this guy has grown on me. If you still haven't gotten any material from him check some of his previous stuff out. I dare you to tell me he isn't sick.
Labels:
Saigon